"Removal from the cross"

A pale, lifeless nude body is carried down a dark rocky slope, head tipped back, supported by a green-robed figure at the shoulders and a bare-chested man gripping the legs. A muted figure in blue looks on at far left, while at right a young woman in a blue dress cries out, arm raised. Behind them a tall Soviet-era apartment block stands silhouetted against a blazing orange sky.

Thick, expressive brushwork models flesh in pale ochre against acid greens and deep red-black shadow, with streaks of dripping red paint reinforcing the violence of the scene. The diagonal grouping recalls the traditional deposition from the cross, transposed into a modern urban catastrophe and charged with raw, tragic intensity.